Top 12 All Time Most Influential Music Production Videos

Top 12 All Time Most Influential Music Production Videos

Top 12 All Time Most Influential Music Production Videos

JUNE 15, 2016

These are the music production videos that changed my life as a producer. Not the hundreds, if not thousands of little tutorials and production techniques I’ve consumed over the years. I’m talking about game changers.

These are the videos that I would almost feel required to credit for the music I’ve made and the production work I’ve completed for major labels like Sony, Universal, Island Def Jam, Virgin EMI Records, and Ultra Music.

I’m talking about the videos that, upon watching them for the first time, immediately transformed my music, my workflow, and most importantly, my mindset as a producer.

Since all these videos are 100% free to watch out there in the depths of the World Wide Web, I thought it would be really cool to compile them and share why I loved them so much. Some of these videos are huge. Again, we’re talking serious game changers here. So don’t be intimidated by the sheer depth of knowledge that these videos share.

IMPORTANT: This article contains first six most influential music production resources. To get the additional six videos, simply click here.

Compare this list to the content you might find in a 4-week course and you’ll be amazed to find out how much quality stuff you’re getting for free here. Don’t try to consume it all at once. Take your time, and get ready to have your mind-blown.

1. ill.Methodology Workshop – Chapter 1 (42 Minutes)

We all hit roadblocks as producers. We get stuck. We lack motivation. We get overwhelmed. And when that happens, we start buying new gear, downloading new plugins, sound treating our room, watching YouTube tutorials for days – the list of potential “solutions” is never ending.

But, according to this workshop, the answer to our production woes is actually fairly simple. It’s grounded in our psyche, organization, and workflow. I won’t give out too many spoilers because this is a MUST WATCH video. One spoiler alert, however, is this: learning to make music in the mornings will have a significant impact on your productivity.

This tiny adjustment to my music making habits has affected my musical output indefinitely and played a huge role in helping me finish 42 original tracks and remixes in roughly a year and a half between 2014 and 2015. Coming from someone who made 12 tracks in all of 2013, I thought this was pretty groundbreaking.

2. UKF Meets Kill The Noise (4 Minutes)

In just under four minutes, Kill the Noise blew my mind with his vulnerability and sincere approach to life and making music in what feels like a very over-saturated market. That said, I just want to preface my next point with the fact that I truly believe that sometimes the most important production advice I come across revolves around mindset.

Around the 1 minute mark, Kill the Noise speaks about how he created a race in his own mind that essentially doesn’t exist, and how sometimes it’s important to just remove yourself and say “Hey, I’m making music and I’m having fun – and there doesn’t need to be much more than that”.

My takeaway? Just relax. Have fun. Making music is awesome, but you’ll have ups and downs just like in any other life pursuit, and that’s perfectly OK.

3. Elite Session with Steve Duda at Pyramind (2.5 Hours)

All I have to say is wow.

Producer and engineer Steve Duda visited Pyramind in San Francisco to conduct a 3-hour workshop detailing his production techniques and his approach to electronic music production. Duda, the creator of Xfer Records and the legendary Serum synthesizer, offered up top tier information on all aspects of the music business, sound design, and marketing.

Only in this video can you understand a musical path so obscure, starting in a cubicle for a technology help line in San Francisco, to helping out the Nine Inch Nails in New Orleans, to becoming a proficient engineer in Hollywood, to building the first realistic drum sampler, and eventually, to starting his own company Xfer Records. This video is equally inspiring as it is chalk full of technical wisdom, and really informative for anyone who thinks that becoming a touring artist is the way to make a substantial career in music.

4. NGHTMRE Ableton Demo + Q&A @ The Loft UCSD (2 Hours)

The upcoming electronic production prodigy NGHTMRE talks on creative inventiveness, coming up in the scene, his personal Ableton tricks, and much, MUCH more.

NGHTMRE goes inside Ableton to demonstrate exactly what his project files look like. It’s this type of rare transparency that is beyond informative.

And, as a short bonus, check out this ridiculously awesome 70-minute video where NGHTMRE records some pots and pans and implements it into his music:

5. Budi Voogt – Music Marketing Academy (1 Hour)

More info: click here

The Music Marketing Academy is an online school that teaches you how to grow your audience and get more exposure through leveraging the online marketing. There is a set of four free videos you can watch if you sign up for Budi’s email list.

His free video series will show you what it takes to succeed in music, deconstructing the release that kick-started San Holo’s growth to over 180,000 followers in a year. Budi’s videos gave me an almost foolproof example towards gaining traction in the industry, utilizing the importance of a strategic EP launch.

6. Mike Monday’s Loopitis Cure (PDF)

More info: click here

We’ve all had trouble with Loopitis. You know how it goes… you write a musical idea and find yourself thinking that you’re onto something special – but two hours later you are still looping the same damn 16-bar idea, and it doesn’t seem to be progressing at all.

Luckily, Mike Monday – a really smart music production coach living in Australia, made a beautiful little PDF that shows you exactly how to break this never ending loop. His method is simple, fast, and insanely effective.

Want More?

To get an email covering six additional music production videos that are just as powerful in sheer knowledge and inspiration, simply sign up below. Hope you guys get a lot out of this!

Get The Other 6 Videos Here (PDF)

In mid 2011, Audien tweeted “Why have I never used distortion?”

This tweet might be more significant than we realize, since his next release was his breakthrough track “Wayfarer” on Anjunabeats.

Most producers, at some point in their production journey, come across the revelation that is saturation and distortion. It’s almost too simple, but these analogue emulators can really be the difference between sounding like you made your music on a laptop, using stock software, versus sounding like you made a track in a multi-million dollar studio.

So with that in mind, here are my favorite 20 saturation and distortion tools, paired with a real-mix-example which demonstrates how I might use the plugin. Enjoy!

Sound Toys Decapitator


This is pretty much the BEST saturation plugin in the game. It can produce a huge variety of analogue-style saturation tones, plus, the amazing ‘punish’ button allows you to use the saturation knob at an extra 20 DBs.

Side-note – Hyperbits Masterclass students can receive the academic Sound Toys discount and get 50% off the entire Sound Toys suite. This is pretty much the most incredible plugin deal in the entire industry because you are getting the entire Sound Toys Bundle for roughly the cost of just one Sound Toys plugin.

Real Mix Example:
Next time your vocals are falling flat in your mix, don’t reach for an EQ.

Instead, dial in some subtle drive (maybe 3-4), switch the style to the EMI (E) setting, set the mix between 70-80% and listen to your vocal gain new clarity, edge, and brightness as it starts to cut through the mix.

Fab Filter Saturn


The Saturn has some really powerful presets emulating some crunchy amps and tape saturators. And the fact that it is a multi-band saturator makes it one of the most malleable, tweak-able distortion units out there.

Real Mix Example:

Sometimes, a sub can sound great completely clean. Other times, it needs some extra dirt to sit right in a mix. Slap on the Saturn, select the preset ‘Best Of – Back in the Day’, set the mix somewhere between 20-30%. Tweak the multi-band parameters to taste. Works ninety-percent of the time, every time.

Waves GTR Amp


For mid-range distorted basses, I’ve yet to find anything better for added color and weight. Absolutely love the bass amps in there.

Real Mix Example:
Next time your mid-range bass needs help create that ‘wall of sound’ in a drop or full section, put the Waves GTR Amp on a send-return bus, select the preset ‘Bass Mo-Town – Below & Above’ and dial in the send to taste. This should really sound full and crunchy.

Ohm Force Ohmicide


Potentially the most powerful distortion on this list, look no further if you are going for a wow factor in terms of sheer color, depth and weight.

Real Mix Example:

If you are looking to make a trance 2.0 bass, something distorted and appropriate for Anjunabeats or Enhanced, apply the Ohmicide and select the Bass #4 preset. Tweak the bands until they match a reference track both in color and energy.

Bonus! Want to see me use thing thing in action? Check out this 47 minute long video about how I use saturation & distortion in electronic music.

Camel Audio Camel Crusher


Camel Audio seems to have fallen off the map, but at one point, this was a free plugin, so if you do some digging you can find it somewhere on the inter-webs. No excuse not to try this one – really strong and dirty sounds.

Real Mix Example:

In your next future-house production, try adding the Camel Crusher to your top hollow-bass layer, set the preset to ‘British Clean’ and turn the master mix-knob down to 30-45%. Assuming sound-choice and other processing is in place, this should be a nice energy layer.

Noveltech Character


So this plugin isn’t JUST a saturator, but man is it beautiful. Apply liberally to anything and everything.

Bonus: try the Noveltech Vocal Enhancer for a slightly brighter more vocal-ready color!

Real Mix Example:
Pick ONE element in your mix that needs some attention. It can be anything – vocals, percussion, a lead synth, even a bus or group – throw on the Noveltech Character and turn up the character knob.

Or, play around with the super powerful presets. Don’t over think this plugin btw – if it sounds great, use it.

D16 Redoptor


The Redopter is potentially the most underrated plugin on this list. It’s got a very specific fuzziness to it that I absolutely love.

Real Mix Example:

Most of us don’t sing well enough to add our own vocals into a song.

However, if you happen to write a cool ambient melody, try recording your voice 3 times (keep one take in the middle, pan one hard left, pan one hard right), and apply the Redopter on the group with plenty of reverb.

No guarantees, but what you might be left with is a beautiful, almost British and worldly sounding vocal.

Softtube Saturation Knob


Another freebie, but this thing is great. The Saturation Knob is an extremely powerful one-knob saturation tool and a great alternative to the Sausage Fattener, the Waves one Knob, or even the Decapitator for those on a budget.

Real Mix Example:

Try this baby on lead sounds – synths, guitars, saxophones, vocals – whatever. Switch the Saturation type to ‘Keep High’ and dial in the saturation knob to 30-40%. Honestly, this plugin sounds way too good to be free.

Dada Life Sausage Fattener


The Sausage Fattener is actually part saturator, part compressor, part limiter.

But regardless, stop cranking the fatness knob too far. It can be very useful to thicken up a sound and squash it just right when used it in subtle amounts!

That said, this plugin really is amazing, and super affordable. There are much better, less metallic distortion and fattener plugins out there, but at this price, it can’t be beat.

Real Mix Example:

If you are looking for some extra loudness in your overall mix, slap the sausage on your master, and don’t touch it again.

I know this sounds crazy but…no drive, no color, nothing.

Just insert it on your master channel before the limiter and leave it alone. This breaks a lot of production ‘rules’ but can add some extra edge and loudness to your mix.

Izotope Trash


I think the key word here is: versatile.

Housing tons of drive algorithms, pre/post filters, custom wave shaping, and visualization. On top of that, the dry-wet knob gives you ultimate control, no matter how far you push your sounds.

Real Mix Example:

Ever throw some drum fills into your mix and find they just sound dead, dull and boring? Send all of your fills to a bus and apply the Trash 2.

Select ‘Drive – Smooth Overtones’ and turn up the drive knob liberally, up to 50%, and then turn down the mix knob to taste (I usually end up between 5-15%).

Those dull fills should sound pretty awake and alive at this point.

Waves One Knob


Despite the single control – yes there is only one knob to turn – this plugin offers some versatile distortions at a fairly reasonable price point.

Real Mix Example:

This thing sounds great on vocals – the next time you want that distorted vocal effect in your track, try the One Knob Driver. Not much to explain here – just turn the knob way up until you reach the desired effect.

Klangheim SDRR


The SDRR is incredibly versatile.

Sure, you can saturate your music to add warmth, depth, and character – but you can even add some movement to your saturation with the ridiculously cool and powerful DRIFT control.

Real Mix Example:

On your drum bus, or main loop – select the ‘DR – Bringing Out The Room’ preset, turn up the Character setting to about 40% (still more warm than sizzle), and turn the Drift knob up to 75-80%. Amazing subtle saturation with added movement, or as Klanghelm calls it – liveliness.

Sound Toys Radiator


The reason this plugin exists – it’s sole purpose on earth – is for you to TURN UP THE HEAT.

I’m not even joking.

Everyone is striving for analogue warmth in their digital productions, and this might be the ultimate ticket. Turn up that input gain and listen as your production comes to life.

Real Mix Example:

With another simplistic interface, don’t over-think this plugin. Try dialing in small amounts of input gain on any of your groups.

For a drum bus, try turning down the treble 1 notch, while dialing the input 2 notches. Turn down the mix if needed – this usually groups my drums very nicely.

UAD Moog


If you are lucky enough to hear this baby in action, you’ll understand why it’s so special.

It just sounds so damn expensive.

Maybe that’s because it emulates the classic hardware Minimoog almost perfectly.

Real Mix Example:

Liberally open the cutoff slightly over the course of a build or break – I’ve yet to come across a plugin that sounds quite as nice.


15. UAD – RAW

This monster emulates a 1970’s distortion. Most avid UAD users will likely talk about how great it sounds on guitars, but the warm, crunchy distortions I’ve been achieving in my bass sounds is what makes this thing so special.

Real Mix Example:

Grab a deep-house sounding bass from Reaktor’s Monark. Set a low-pass around 600hz, and then apply the UAD Raw – keep the distortion very low, but turn up the filter and the volume.

What you might be left with is a very Anjunadeep sounding bass.

Fielding DSP Reviver


I discovered the Reviver when one of my Masterclass students suggested this as an alternative to the famous Oxford Inflator.

Most of the plugins on this list emulate some sort of analogue gear – the Reviver doesn’t do that, and doesn’t claim to.

The entire point of the Reviver is to retain a very clear, un-smashed signal when pushing, saturating

Real Mix Example:

Turn up band #3, the ultimate ‘3rd Order Harmonics’ – also referred to as added ‘punch’ or ‘detail’ in a mix. Apply on a drum bus for ultimate punchiness.

PSP Vintage Warmer


If you’re like me – this plugin most likely has fallen into the ‘I own it, I use it, but have no idea what I am doing with it’ category at some point.

While there are some great videos that might help you wrap your head around it here and here. At the end of the day, this plugin is great for subtle drive and weight on a master or group channel.

Real Mix Example:

Don’t even bother with the presets on this one – just add a few DBs of ‘Drive’ to the master or a bus – will give surprising amounts of character and beef to pretty much any layer.

SPL Twin Tube


What makes the Twin-Tube unique is the dual knobs – one for Saturation and one for Harmonic overtones.

Use these two together in small amounts, and you have a very versatile plugin.

Real Mix Example:
Next time your track is suffering from some inherent dullness, try adding some ‘air’ by applying harmonic distortion via the Twin Tube.

Apply to your pad/string group and listen to your production start to sizzle.

URS Saturation


If the Sound Toys Decapitator had a younger brother (aside from the Radiator) the URS Saturation tool would take the cake.

With six vintage pre amplifier algorithms, two analog tape saturation algorithms, and two transformer core saturation algorithms – this is one powerful little plugin.

Real Mix Example:

There is something about the smoothness with which the URS Saturation plugin works that directs me towards using this thing on Synths – anything that sounds overly digital.

If you have a lead that sounds generic and very ‘preset’ like – try adding some URS saturation for analogue warmth and tonality that feels and sounds expensive.

Waves Maserati


Anyone who has ever tried to undertake the creation of huge Audien-like super-saws will know that the Maserati is part of the puzzle. It delivers distortion, color and loudness meant for guitars – but is applicable to so much more.

Real Mix Example:

When building your Audien style super-saw stack, isolate a single note lead playing the main melody. Keep the Maserati on the clean setting, and try generously dialing in the presence – this should add some crisp, guitar-like over-tones to an otherwise digital synth layer.

And there you have it – 20 Saturation Plugins for Electronic Music, and some specific examples as to how to apply them.

Want to learn more about saturation? Want to see me using distortion in my productions? Click here and receive a 47-minute long video detailing how I use saturation and distortion.