The Best Guitar Amp Software and How to Use It
“The older I get the more I like plugging directly into an amp. I’m tired of trying to impress myself with weird sounds. It’s about the notes and the amp.”
— Steve Vai
Famous guitarists from the likes of Steve Vai to Kirk Hammett to Eric Clapton to Jimmy Page, were well known for their obsession with tone & timber.
Pairing guitars with amps and pedals, these artists chased a sound that resonated warmth, depth and originality, and in turn, created some of the most memorable and epic music of the past half-century.
Kirk Hammet, lead guitarist of Metallica, has openly talked about his experiments with tone in his career, often having to keep in depth journals to remember exactly what effects he was pairing with which guitars.
Today, we’ve got things a lot easier. Software emulations of amps and pedals are readily available for all of us to use in our music (and once we find them, we can save them as presets). We can use them to bring that same life and originality to the tracks we make directly on our computer.
That said, this isn’t meant to be taken lightly. Here are 8 creative ways to use popular guitar amp plugins to give sounds a lively, vintage, and distinct feel which will insert an analogue warmth or crunch into your music.
1. Adding distortion with Native Instruments Guitar Rig
NI Guitar Rig is a very powerful plugin that houses 17 amps, 27 cabinets, & 54 effects. You can use several of them at once with a single use of Guitar Rig and arrange your own signal chain within the plugin.
The distortion plugins are particularly useful. Set up a Send channel from the sound you want to distort and put Guitar Rig on the send – use just a little bit of volume in the send channel to get a warm, crunchy distortion to then mix in lightly with your dry signal.
Again, note that only a little bit of volume on Guitar Rig is used. Within Guitar Rig, go to the Components section and choose a distortion plugin (Fuzz is a favorite, but several are great).
Also, make sure both L and R are enabled so you get your distorted signal in stereo. This technique can be used on any sound that we might deem needs more weight, fatness or warmth.
Which by the way, to learn more about fattening up your mix with saturation, check out our Top 20 Saturation & Distortion Plugins for Electronic Music.
By introducing a guitar amp emulation, we are essentially just bringing in additional imperfections to make our source sound appear more analogue (the opposite of digital).
Though simple in execution, the effect and potential results are anything but.
2. Creating next-level reverbs and delays with Guitar Rig
Guitar Rig is packed with awesome reverb and delay presets that will give your music amazing and expensive sounding ambient feels. Set up the same signal chain as before (Guitar Rig in a send) and select a Reverb or Delay from the Presets section:
Click through the presets to find TONS of unique delay and reverb sounds. Then, you can modify the preset by changing any of the parameters of the inserts in the right window. In particular, we love playing around with the Feedback and Reverse parameters of the Psychedelay:
Mix your new reverb/delay back in with your untouched dry signal to give a distinct ambience to those elements of your track. Oftentimes, these kinds of delays work perfectly with pianos especially.
3. Adding body to sounds using the Pitch Pedal in Guitar Rig
Back again to Guitar Rig! One parameter worth mentioning here is Guitar Rig’s Pitch Pedal, which adds harmonic layers to sounds. If you ever get stuck with a sound that you wish could be bigger and more full (this should be everyone), Guitar Rig can help you fix that.
Once again, set up a send channel with Guitar Rig and select the Pitch Pedal:
In the Init setting, move the slider all the way to the right to pitch your signal down one octave. You can also play around with some of the presets from the dropdown menu in the Pitch Pedal.
This plugin doesn’t do the cleanest pitch shift out there, but the grittiness and imperfection it adds can help to give your sound some extra body. Again, mix the pitched signal from the send lightly back in with the dry signal to give the dry signal.
Hold up. Why do keep using sends?
This is something we teach extensively in the Hyperbits Masterclass, because the real beauty in using a send is 2-fold.
First off, it allows us to essentially use any effect as a completely separate channel. The benefits in that are endless – as it would allow to process solely the effect to our heart’s desire.
Want to execute some reductive EQ on just the distortion? Want to thoroughly compress just a reverb signal? This is all possible by placing effects on a send.
The second beautiful benefit of using sends is parallel distortion. This means we can keep the original signal (the dry sound) and pair it with however much of the effect we want (the wet signal).
This means that we can substitute any plugin which lacks the super-useful ‘dry-wet’ knob by simply using an auxiliary send.
4. Using Logic’s Pedalboard for small distortions and unique modulations
Most Logic users know about the built in guitar amps, but not too many people use the Pedalboard plugin. This is set up similarly to Guitar Rig where the plugin actually houses several inserts that you can use to create its own signal chain.
Set up a send channel like we did for Guitar Rig, and throw on an instance of Pedalboard
Use the dropdown menu to filter by the type of insert, and test out using one of the distortion plugins. Vintage Drive and Fuzz Machine are favorites, and typically, expect to get the best sounds when you crank the tone knob all the way up.
You can also get some cool, weird modulations to layer in. Filter by Modulation inserts and test out some of the cool choruses, flangers, and phasers – you can also combine one of these with a distortion plugin on the same Pedalboard instance.
Similar to how we mixed in Guitar Rig, mix in a little bit of the new signal on the send with your untouched, dry signal for some epic parallel effects.
5. Waves Guitar Amp
One of the most popular and best sounding Waves plugins is their GTR Amp. Set this up on a send channel and get some audio flowing so it – again, we are going to use this sparingly as an amped, distorted signal to mix in with our dry signal (yes, you are seeing a trend here).
We LOVE the Clean Amp settings in the highlighted box above – you can get some awesome, bright harmonics to mix in with your dry signal. I’d highly suggest trying this out on your pianos, lead synths, and maybe even some vocals.
Not too much more to add here, but this is an awesome plugin that gives you some bright, clean sounds that are highly accurate in emulating popular guitar amps.
Not sure what other types of amp plugins are out there? Check out our Ultimate Plugin Guide for Electronic Music.
6. Using an amp before a reverb plugin for bright, crunchy reverbs
When you have a reverb bus you are sending audio to, inserting an amp plugin before your reverb plugin can result in some interesting, different sounding reverbs.
Typically, the “clean” style guitar amp results in the best sounding reverbs (most likely due to the harmonic nature of the amp itself). In the example below, we’ve set the Waves GTR Amp before the reverb plugin:
This results in a super bright, airy reverb – and on piano chords, it completely brings them to life. Consider this tip crucial for giving piano chords an energetic, up-front feel.
7. Inserting Guitar Rig onto your channel
So far, we’ve only talked about using guitar amps with send channels and lightly mixing them with a dry signal. But, of course, it goes without saying that we can also insert a guitar amp directly onto the channel (in lieu of a send).
That said, remember – you are totally forfeiting your dry signal and are only left with your amplified, fully wet signal.
Typically, this works best with actual guitar and bass sounds (and sometimes, pianos as well). But again, this creates a very distinct sound than can easily be overpowering.
In the example above, I inserted Guitar Rig onto my channel – in general, go for clean, lightly amplified sounds – anything else will likely be overpowering.
Also, be sure to insert an EQ with a high pass filter after your guitar amp – guitar amps can create some nasty, unwanted low frequencies (especially when dealing with digital synthesizers), so we want to be sure to remove those.
8. DIY Hardware for totally unique distortions
We’re not joking. It barely works, and when you try to play something out of it, it is super distorted and crackly because it is really is, in fact, broken. But, this is EXACTLY what we are going for here.
Get an old stereo or a bad pair of old computer speakers. Most people at least know someone with an old stereo sitting around in a closet, attic, or basement somewhere that they want to get rid of.
So don’t go out and start dropping wads of cash on Ebay to generate this effect. Get something like these below, really any old stereo system would work as well:
Now, mess up the speakers enough to distort the sound that comes out – make them rattle and crunch when they get too loud, etc.
And the fun part? You can now record this distorted audio and use it in your productions. For example, see the steps below:
- Write piano chords for your song and bounce just the chords as an mp3 or wav.
- Upload the piano as a private Soundcloud link, and play it off your phone through the old speakers
- Record the distorted audio from your speaker with a microphone, and put this back into your DAW
- Mix the distorted audio from your speakers with the original dry audio of the piano chords (yes, this is a really cool, unique form of parallel re-amplification)
This will give your chords an awesome distorted, organic feel that very few would easily be able to replicate.
Overall, there are lots of ways to use amps and pedals to bring analogue life into your digital productions. Again, our favorite technique for utilizing guitar amps is through parallel distortion (using these amps on sends).
Why should we care about guitar amps?
Well, the proof is in the pudding, as they say. Guitar amps have been used in virtually all known western pop music over the past 60 years – so clearly, they have a place in music and aren’t going anywhere any time soon.