I thought it would be fun to hand pick the top 25 music production tips from my #Hypertips series on Twitter, where I highlight some personal thoughts, tips, techniques, and tricks inside of music production 4 days a week, every week 🙂
You can master a song in any DAW. Yep, that’s right — Ableton, Logic, FL Studio, whatever you’re using, you can do your masters right there. And the best part? Mastering itself isn’t that hard, so long as you have a bit of guidance. Here is how you master a song in any DAW.
Over the years, I’ve seen aggressive lower back pain, but, I’ve also subsequently seen my lower back pain completely dissipate due to the strategies outlined in this article. Because of this, I feel like I am in a unique position to at least offer my story of what works, what doesn’t work and most importantly, how you can potentially avoid a similar scenario all together.
Ableton Live 10 brings some serious improvements to the table. I’ve spent the better part of this year testing the new features in my own workflow and simply put: there are some updates that I can’t live without.
We’ve all heard stories of insanely talented artists getting accidentally “discovered” – but, that only happens to an incredibly small number of people, and it’s nothing you can count on when it comes to your career in music. More likely than not, the next Adele is singing in a cover band in Des Moines, Iowa, and her music will never get heard by the right people that could help launch her career. There are probably hundreds of her all over the world.
Instead of aimlessly tweaking and adjusting knobs and parameters because it’s fun to touch (and I admit, it is), let’s demystify multiband compression. In fact, we’re giving you 8 of our favorite multiband compression strategies and techniques, complete with video examples for each. Plus, this article contains a little list of our top 5 favorite multiband compression plugins.
In music production, however, there are some common poor practices that many producers do not even realize are part of their workflow and music creation process. The good part here, is that these are fixable items that, once addressed, will immediately improve the quality of your productions.
In reality, music production is a grind. It’s a true struggle – a beautiful pursuit that pairs a musical art-form with the technicalities of science. And I’m not going to lie, I love it. When things are clicking, sitting down and creating or engineering music is one of the most rewarding thrills I get to experience on a daily basis.
We are shaped and fashioned by what we love. And it is through our influencers that we borrow, chisel, mooch and acquire the necessary inspiration to create an original piece of art. Dare I say…it is through our influencers, that we steal our creativity.
Ahhh. That elusive kick-bass relationship… There are few things better than perfectly nailing the low end of a track. For me, it’s up there with a warm cup of coffee on a brisk morning, jumping in the ocean on a hot summer day, putting on fresh, brand new socks for the first time, reading ‘Calvin & Hobbes’ by a fire after playing in the snow, or cuddling with 17 puppies at once.
Rules are meant to be broken. And the professionals break them every day. They just do it with a sense of purpose and reason. There’s nothing more wrong than telling you that one plugin is the best for all situations because frankly, in music production that type of ‘one size fits all solution’ doesn’t exist.
How many times have you sat down at your computer with the intention of producing a track – only to be intimidated and hindered by the blank DAW staring back at your face?
So, why is the loudness war over? Well, all the streaming platforms have individually decided to match the loudness of the music on their platform to one singular loudness level. So, whether you make super loud dubstep or very light orchestral music, the average loudness our listeners will be listening at will always be the same.
Hyperbits here. Guess what? It’s story time, kids. But I’m not writing to you… I’m writing to myself. Well, the old me. I’m writing to that insecure but ambitious 22-year-old who had never made music on a computer, almost 9 years ago…
Finishing music is hard. In fact, I would argue it’s the most difficult aspect of the creative process. It’s just a lot easier to endlessly tweak your music than it is to confidently put the finishing touches on a song and release it out into the world. Nothing – and I mean nothing – is more detrimental to your growth as a music producer than getting in the habit of NOT finishing your music.
These are the music production videos that changed my life as a producer. Not the hundreds, if not thousands of little tutorials and production techniques I’ve consumed over the years. I’m talking about game changers.