We’ve all heard stories of insanely talented artists getting accidentally “discovered” – but, that only happens to an incredibly small number of people, and it’s nothing you can count on when it comes to your career in music. More likely than not, the next Adele is singing in a cover band in Des Moines, Iowa, and her music will never get heard by the right people that could help launch her career. There are probably hundreds of her all over the world.
Instead of aimlessly tweaking and adjusting knobs and parameters because it’s fun to touch (and I admit, it is), let’s demystify multiband compression. In fact, we’re giving you 8 of our favorite multiband compression strategies and techniques, complete with video examples for each. Plus, this article contains a little list of our top 5 favorite multiband compression plugins.
In music production, however, there are some common poor practices that many producers do not even realize are part of their workflow and music creation process. The good part here, is that these are fixable items that, once addressed, will immediately improve the quality of your productions.
In reality, music production is a grind. It’s a true struggle – a beautiful pursuit that pairs a musical art-form with the technicalities of science. And I’m not going to lie, I love it. When things are clicking, sitting down and creating or engineering music is one of the most rewarding thrills I get to experience on a daily basis.
Ahhh. That elusive kick-bass relationship… There are few things better than perfectly nailing the low end of a track. For me, it’s up there with a warm cup of coffee on a brisk morning, jumping in the ocean on a hot summer day, putting on fresh, brand new socks for the first time, reading ‘Calvin & Hobbes’ by a fire after playing in the snow, or cuddling with 17 puppies at once.
Rules are meant to be broken. And the professionals break them every day. They just do it with a sense of purpose and reason. There’s nothing more wrong than telling you that one plugin is the best for all situations because frankly, in music production that type of ‘one size fits all solution’ doesn’t exist.
Electronic music, by nature, is digital. And when things get overly digital, productions sound flat, predictable, even boring. But that doesn’t mean we have to limit our productions to only digital sounds. In fact, using organic instruments (or at the very least, emulations of organic instruments) is one of the best ways to generate some much needed analog warmth and timbre in your music. In this post, we are going to demystify exactly that – how to get a professional piano sound through proper layering, processing chains, and humanization.
“Wow. What a great trick. I would definitely buy a book filled with things like this.“ – Some dude on Reddit.